| Hard | Every word is timed from the audio; the script supplies spelling only. | A lecturer never reads a script exactly. The caption must follow what was said, when it was said. |
| Hard | No word is shown at full ink before it is spoken. | Upcoming words are visible at 40% so a reader can look ahead, but the caption never claims a word has been said before it has. |
| Hard | Band phrases are at most nine words; column phrases at most six. | Nine words fit two readable lines across the band; a narrow column needs shorter phrases stacked over more lines. |
| Hard | Break on punctuation, on a pause over 0.42 s, or once the phrase has run past 3.6 s. | A caption should end where a reader would pause — at a clause, a breath, or when it has been up long enough to read. |
| Hard | No single-word caption mid-sentence. | A one-word flash is unreadable and looks like a glitch; a lone word is only allowed before a real pause or at the end. |
| Hard | Only one phrase on screen at a time. | Captions that stack compete with each other and with everything else on screen. |
| Guide | A phrase appears 0.12 s before its first word. | The eye needs a moment to land before the voice arrives. |
| Guide | Hold the last phrase into a pause, then clear it by 2.8 s. | Long enough to finish reading; short enough that a stale line does not sit through a silence. |
| Hard | Exactly one word is lit, or none between words. | The highlight is a pointer to the voice; two lit words would point at nothing. |
| Hard | Words never move as their state changes. | Positions are laid out at regular weight so a word turning bold cannot reflow the line under the reader's eye. |
| Hard | Type is fitted to the band per phrase, from 48 px down to 30 px. | A long phrase gets smaller type rather than a wider band or a third line. |
| Hard | The band is redrawn over every cutaway. | A picture that replaces the frame should not also take the words away; the student would lose their place exactly when the screen changes. |
| Hard | Over pictures the band is always light text on a dark graded shade. | A picture gives no guaranteed contrast; the shade lifts the words without drawing a box that could flicker. |
| Guide | The deck's own band carries no shade or plate. | The deck's grid keeps the band area clear, so the chapter's own ground already gives controlled contrast. |
| Hard | Captions are identical either side of every cut. | Same words, same size, same position, same highlight — only the picture changes. |
| Hard | Spelling repairs never change timing. | Every layer that draws the words would otherwise need to be re-aligned. |
| Hard | Repairs are per-lecture data, never inherited. | A correction written for one lecture applied to another turns right words into wrong ones. |
| Hard | Only small, anchored differences from the script are repaired automatically. | Large differences are usually the lecturer departing from the page; those are for a person to judge. |
| Hard | A common word is repaired only in place, never everywhere. | Turning one 'a' into 'the' globally would rewrite every 'a' in the lecture. |
| Hard | Captions are corrected before anything is drawn. | They are burned into several layers at once and cannot be patched afterwards. |